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Joined 1 year ago
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Cake day: June 11th, 2023

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  • Lesson time. In security strategy we have the risk equation. The calculated risk of something is the magnitude of the harm it could potentially do, times the probability of it actually happening, all divided by any prevention measures you have or can take. Nothing is perfectly or inherently safe or unsafe, you always have to calculate the risks taking into account all the factors, and balance risk against operative costs. There’s a lot of economic value in a low risk system that doesn’t require much intervention or maintenance.




  • This is the format collision discussion that has no solution so far. A tablet that runs windows is counted as Windows. A laptop that runs android does not. Neither does an android cellphone. It all boils down to web browser user agent fuckery. This is why steam’s numbers are more reliable than other sources, they’re direct hardware surveys.

    But the point is that a steam deck is not (but in a way it is basically just) a PC. There are tablets than run desktop interfaces and now there are laptops that can be used as tablet. Eventually the artificial mobile vs. PC/desktop/laptop schism will stop making sense.


  • Almost all anti-cheats work on linux or offer linux integration or builds. It’s the scummy unethical publishers who run the typical games that uses anti-cheat who refuse to pay engineers to make the minimum effort to support linux. Because it would undermine some of their bullshit claims used to manipulate their players. Fortunately for some people like myself, the typical game that requires anti-cheat is not a game they would want to play anyways.




  • I do. I track my reading on Storygraph because it motivates me and helps me keep up the habit when I hit a slump or end up with some uninspiring piece. I don’t have to fumble for a new book to read because all recommendations and interests are neatly registered and organized. My progress is tracked and I can celebrate my success. I also have a huge library of digital books, over 2 thousand. By tracking I can keep a log of what I have and haven’t read. Sometimes, after a long while, you forget the names of specific books in series, or where you were last off in a particular author’s collection, etc. It helps with it all. But I don’t connect or share that with anyone. Nor do I feel the need to push it on anyone. Friends and acquaintances are not that into reading as I am and they see no use for a social network about books, and I don’t want nosy strangers rummaging though my reading history.


  • If they were Ubisoft, Sony, Nintendo or any other shitty company they could block access to the Steam account or ban it outright, cutting me off a library with hundreds of games. Hopefully, Valve is not like that yet. So, yes. I trust they wouldn’t do anything fucky when they notice that I’m connecting my Steam account to a device, theoretically, blocked in my region. But there’s some really intrusive shit you could do to prevent access or force it to be a piracy only machine.

    I mention it because I remember some friends tried to grey import a PS5 and the device soft locked them when the IP didn’t match the region they chose. And Nintendo has done way worse, up to outright destroying accounts.


  • The Deck is not sold in most parts of the world. This includes certain parts of Asia, Latin america, Australia, some European countries, and most of Africa. Essentially, if you’re not from the US, Canada, China or western Europe, buying a Deck directly from Valve is impossible. Import and distribution is also an impossibility. Region locking it still one of Valve’s biggest hurdles.

    So, to acquire one I have to pay an overhead to a reseller willing to sell it to me, foot the import bill, the local tariff, pay the courier, and at the end of all the device will be under no guarantee, support or protection. I have to pay more for a device that Valve could decide to block, the only reason I’d still do it is because I trust they won’t. But they could if they wanted to.




  • See, the thing with this argument is that, however much I agree with the basic idea, it’s still not useful. We can agree, sure, that overall the UI and UX (two different things) on GIMP is not as subjectively good as Photoshop. But saying, it’s easier, it’s faster, it’s whatever, still does not help at all. It’s still all just vibes and impressions, it’s not actionable.

    “The default UI is not like Photoshop” is inactionable. It’s different from the opinions I left on this thread. That GIMP need to have a way to save and reload layouts, that’s an specific feedback, concise, concrete and actionable. I also agree that some workflows take too many clicks, maybe have simplified tools to do common actions. That is also actionable, specific, concrete.

    Your comment offers nothing to go on with. It even manages to ignore and bypass my criticism, it doesn’t address the “Industry standard” bias and privilege. Because when pros try GIMP the response “It doesn’t work the way I expected and are used to, so I don’t like it” is a garbage feedback. The only thing you are offering is “clone photoshop”, and that’s just not what the project has ever been about, or will ever be about. So the conversation is fruitless.


  • You missed the point of my post. You’re right in that you are left with amateurs as an audience. But, and it is a big but, the amateurs aren’t comparing you to Photoshop, they are comparing you to the UX friendly app they have on their phone (no matter if they say otherwise). Yet the pro won’t ever give GIMP any chance because it doesn’t carry the “industry standard” label and the privilege that comes with it. When people are learning graphic design or photoediting they are mandated to learn Photoshop. Either by a rigid teaching system or the cultural environment prevalent amongst the people with strong passion to learn on their own. The result is that a lot of UX and UI quirks and headaches (which photoshop does have, let’s not lie to ourselves here) are overlooked or just accepted as the norm. Humans can adapt to a lot of fuckery and bad design, that doesn’t make it good UX. GIMP does not have the label, leniency or benefit of the doubt from anyone. Just read this thread, people complaining and whining about the default layout. No one has addressed the things that GIMP does better UX wise or when ways to overcome its shortcoming are mentioned people react with hostility and denial. Most even admit that they have never used GIMP or that they have no business anywhere near an image editor. But here we are, discussing the opinions of the peanut gallery based on feefees and second hand vibes.



  • All I want is to GIMP to save tabs layout as workspaces. That is enough. Part of GIMP hate is based on 15 year old complaints. Just like people still complains today about stuff of Linux that has been resolved for decades. It’s just memery that has stuck around.

    There are issues with GIMP, but none are about the stuff most people meme about in social media. Every tool has room to grow, but GIMP UI suffers from the “too amateur to know what’s wrong” loud majority effect. Imagine someone who has no concept of music appreciation in their lives sits at the front of a grand organ. Then proceeds to complain that the pedals get in the way of sitting on the stool and that he founds the three keyboards redundant and unintuitive. This notion is valid, from his point of view. But it informs nothing about the usability of that particular instrument for a professional organ player.

    The same thing tends to happen with several software packages, specially the open source ones. Since they don’t have the industry standard tag, they don’t get any leniency when it comes to learning their features and capabilities. Then, when the amateur checks them out, they don’t compare it to the industry standard (which does have a leniency license) but compare it to the simplified, accessible for everyone and strip down apps. These people don’t have the foresight to understand that this tool is capable of way more than their reference point, and the initial friction is an indicator of their inexperience, not of the tool’s quality or potential.

    The amateur is more comfortable sitting in front of a Casio learner piano. And we shouldn’t lend much credence to their feedback about the ergonomics or key feel of a Steinway concert grand.


  • You can click the tool, configure it, then hit tab to work on the image. Then tab again to click on the new tool, tab, work on the image. It’s a nice and simple workflow. I don’t know what to tell you, it’s not rocket surgery. I mean, you’re the one trying to do image work on a tiny ass screen. I’m giving you a neat trick that worked perfectly for me. Sorry it is not good enough for you, I guess.